Kenos Inbox
voice / text / communion
D's mind is a cacophony of things.
The landscape is shadow and darkness, and it is chilly and reserved where D sits in it; he feels like a simple young man. Quiet, soft, human. But behind the stoicism is a warm, sensual, and elegant sliver of something primordial and powerful. Embracing it is hypnotic, arousing, yet also a little horrifying.
Amidst all of this is something else, too: a craggled and old presence which can be heard on occasion cackling or chattering separately, the crusty voice belonging neither to D or the peculiar entity in the space.
The landscape is shadow and darkness, and it is chilly and reserved where D sits in it; he feels like a simple young man. Quiet, soft, human. But behind the stoicism is a warm, sensual, and elegant sliver of something primordial and powerful. Embracing it is hypnotic, arousing, yet also a little horrifying.
Amidst all of this is something else, too: a craggled and old presence which can be heard on occasion cackling or chattering separately, the crusty voice belonging neither to D or the peculiar entity in the space.
no subject
There are some people you can't help, not if they don't want to help themselves. Don't let Silco mistreat you simply because you don't want to hurt his already fragile feelings. He'll use what he can against you to get what he wants. It won't matter if you're kind to him or not.
Did he drink against your will? I could smell him on you before.
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He wants to say I don't expect anything from him, which is mostly but not entirely true. He wants to say I don't want to help him. That, too, isn't quite it.
Matt's arms fold protectively over his chest. He looks down; he doesn't need to look at D to know exactly where he is. ]
Tell me to tell you about it, [ he says, soft. ] Order me.
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He has long accepted he is half of a monster, but he hasn't ever accepted inflicting that part of him on anyone else. This isn't like ordering Matt to not do something foolish. This isn't like ordering Matt to get back from whatever insane cliff the man might jump from.]
You already know I wouldn't do that to you.
[Testing. To see if Matt is also testing him.]
cw: discussion of assault
You told me you didn't want to compel people against their will, [ he says. Still quiet, but with a slight questioning note in his voice. ] So if I wanted you to do it, it wouldn't be ...
[ But he doesn't want to ask D to do something he'd genuinely hate. Matt's already carrying enough shame; he couldn't inflict more. Even though a part of him aches for that warm, easy feeling, the yes coursing through his veins--he can do without it. He's told people things like this before, hasn't he?
Has he ...?
Matt's quiet for what feels like a long time. He doesn't look at D, and he keeps his arms wrapped around himself. ]
I got lost, [ he says eventually. Even his thoughts are stilted, as if resisting coming together to shape a whole story. ] In Kowloon. And he found me.
I tried to talk my way out of it ... tried some magic tricks. I even started a fire. [ Matt's lips twitch. ] But it didn't work. He told me to hold still, that he wasn't going to kill me. That he wanted to teach me a lesson about spying on him. [ Matt adds, unnecessarily, ] He thought I was spying on him.
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D's angry compassion swells slowly up like a sturdy fire, warm on the verge of the pleasurable sting of heat. He lingers there in the vastness of the mental space, burning and quiet. Not many people get to understand just how caring D is outwardly, not when he presents himself so stoically. (For good reason, professionally back home, at least.) Most of his love language is acts of service; the quiet dispensing of his time to others without fanfare. Something only for them.
But here, through the solid bond of communion, he is clearly sympathetic.]
I'm sorry that happened to you. Are you alright?
no subject
Matt had been bracing himself, half-consciously, for judgment. For being regarded differently, not that he knows how D regards him now. (Vaguely female-coded ...?) He expected anger. But he wasn't counting on compassion--certainly not compassion he's forced to believe, through the sheer, incontrovertible weight of their connection.
To top it all off, D has to go and say the worst possible things. Matt swallows.
As long as he isn't being kept on the rails by vampiric compulsion, he doesn't answer the question directly: ]
I went back. He didn't ask me to.
I've been donating once a week.
no subject
The burn hones inward onto Matt, lighting up the area of him with a powerful and protective sort of warmth, studying him, through him rather than looking him over. Not unlike drawing thread through the eye of a needle.]
If it's your choice, I won't stop you. But that is too much blood too often. You'll get sick, or you'll die.
[He is a bit worried now, admittedly.]
Tell me how you're feeling about it.
[This isn't about what had happened in the moment, so he isn't ashamed of the hint of reverberating edge to his tone, the first brushes of a command.]
I want your honesty.
no subject
Though D sounds very certain. And he is a research scientist with an interest in blood. Matt nods carefully, once. He doesn't try to resist the sensation of warmth, of protection. Normally he'd feel embarrassed to accept something like that--he'd try to laugh it off, like he did with Tezcatlipoca. But right now ...
He's tired.
He breathes into the feeling of D's voice, and doesn't try to order the words in his mind. Just lets them come. ]
I miss Quetzalcoatl so much.
[ There are other things, of course. Silco's bottomless hunger, Matt's resignation to being devoured. But this is what pours out first. ]
I know I didn't know her like some of you did. But she's a god, so--I did, in a way. Like daylight, or the wind.
And after he did that, I thought ... fuck him, I'm not going to respond by hating him, or trying to hurt him. I thought about what the Feathered Serpent would do, and that's--
Sacrifice.
So other people can live. Doesn't matter if they deserve it or not.
no subject
He lets Matt spill it out to him with no real order, lets Matt talk. He is a good listener because he is often so quiet.
Sacrifice he understands. Sacrifice, Matt will learn later in Aetos's laboratory, is something with which he's deeply familiar.]
Mm.
[A part of him wants to command Matt not to feed Silco at all. But that isn't his decision to make, is it? He stands by hating the idea of being in so much control of someone else they have no autonomy.]
Don't feed him as often as you are anymore. There are ways to find other blood in Highstorm. [...] Does he hurt you when you go?
no subject
Not as often, [ he agrees. He balks a bit at the notion that there are other ways to find blood, since he imagines that part of what Silco enjoys about their arrangement is a certain sense of power and control. You can't order that off the menu at Bloody Marie's. (Or maybe you can?) But he doesn't want to get sick over this. Even Silco expressed something similar, back at the start. ]
He doesn't hurt me, [ Matt adds. ] There's a drug that dulls the pain.
It's not addictive.
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The pinch to his mental mood is the equivalent of brows furrowing. "It's not addictive" doesn't really assuage much of the worry here. He seems to do a lot of worrying for someone who acts like he doesn't really care on the outside. Occupational hazard of forcing detachment.]
He must if you still feel the way you do about what happened. Pain doesn't have to be physical.
no subject
Raisin'll be there, at least. That makes Matt feel a little better. ]
Maybe it's lingering, [ he admits. ] From the first time.
[ And the time before. Before any of them from Kenos or the world called Horos ever knew him--that first night he met Vincent. Which is far outside the scope of the current conversation. ]
no subject
Lingering makes you require a substance to go through with it each time?
[Not all vampires can have your stupid ero bite, D, thanks.]
What exactly made it uncomfortable the first time? The force?
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[ So the answer to "does he hurt you" is apparently, by D's metric, "yes." Oops. ]
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[The mental equivalent of the Drew Scanlon blinking gif at Matt. Hello? He literally just asked you if Silco hurt you, you stupid little sex magic man.
The silence is the pointed question looking mentally at Matt.]
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... So if you mean "does what he's doing hurt inherently," then yeah, [ Matt allows. ] Definitely my least favorite bite among the kinds I've had.
[ There's a brief, teasing flicker of emotion, a pale echo of ecstasy and union. Maybe it's not strictly necessary to muse fondly on what he can recall of D's bite right now, but Matt will take any opportunity to lighten the mood. ]
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Mentally, D is very quick to "look away" from the teasing in a hilariously polite and surprisingly shy manner. The sensual bite is extremely embarrassing in the way of a formal man clinging desperately to some kind of etiquette.
Very Liem Talbott of him really.]
You should leave him be.
no subject
Yeah.
I know.
[ --but he can't help flitting back to that sense of D's discomfort. It feels a little easier to address than the question of exactly how he'll disentangle himself from Silco. How he might be able to make the disentangling stick. ]
It's okay, you know, [ he adds. Amused, but gentle about it. ] I mean--you know what I'm like. I'd be the last person to judge you for how getting bit feels.
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It isn't something that should be imposed on others. It's... false. An illusion.
[Matt is undoubtedly interested in him, but generally... the feelings this act imposes on other people is fraudulent.]
People should feel those things on their own, not because a vampire is biting them.
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[ Despite the fact that he finds D's awkwardness pretty cute, frankly, Matt's trying to be delicate. ]
But it doesn't mean they're invalid, or illusory. I respect that that's your experience, just, for me ...
Especially not with consent. It wasn't an imposition.
no subject
The feelings are there as they are in everyone, but Frontier vampires twist them and use them for their own purpose, putting them where they wouldn't otherwise be, in most cases. So that their prey won't resist.
Most people would feel as you did with Silco. That is what the sensation tries to conceal.
no subject
Pain is ... interesting, for me. [ Carefully. ] Not good, exactly. But it's not the worst thing.
[ Another pause. ]
The part that was bad about what he did is that I couldn't stop him. He didn't ask me. [ There's almost an echo to this, bouncing down and down the hallway of Matt's memory. ] If he'd asked me I might've said yes. Even knowing how bad the pain was gonna be.